This was our first time working with the Bellevarde team. B.E. Architecture’s Tim Carrington and I came into it with our eyes wide open and, in the end, got a lot out of the collaboration with John Fielding and his experienced team at Bellevarde.
Bellevarde’s Adam Buckley and B.E. Architecture had worked up the cost plan before starting work on site, so we had built up a good understanding. When we landed on site, we met the site manager, Bellevarde’s Mick Carroll, a straight-talker who says how it is which was great because we’re a group of architects that love being hands-on on construction sites. With the two sides, building and architecture, working that way, we broadened the project’s outcome.
One of the challenges we faced was doing the major part of the building during that chaotic time from 2021-2023. Coordinating people, materials, client needs and keeping it all at that highest level was no small feat. And yet somehow, with the help of some technology, and the good will of all involved, it all happened.
It’s a layered building in a sense in that you go from a public area which is very fenced off and then you walk into an intermediate space between you and the building and in that space, you can see all the way down to the harbour. You can then turn left and walk back to the building and you’re inside.
The front elevation might be my favourite part. It creates a sense of privacy. There’s no hint at what lies behind. It portrays itself as a very simple, quiet, elegant single storey building—with fine detailing of timber and render. From the street, you have no sense that there are six storeys looking over the harbour.
Coming from Melbourne, we noticed it can be more humid in Sydney so we focused on different ways to incorporate ventilation and cross ventilation, especially important on such a rectilinear site. That’s where the idea of cutting the building into two parts emerged. One part can look through a garden, through the second part and on to the foreshore, creating more facades that face the water. The more facades we have, the more ventilation.
The house is set deep into the hillside, but the site is so constrained that Bellevarde had to dig that huge hillside twice—once to remove the material and then again to move it from the front of the site up to the street. You had this line of excavators each passing scoops up the hill to the trucks, it was like machines dancing. An amazing piece of engineering and construction.
We wanted to create something that had the air of the public spaces in Europe—those cobblestoned areas there’s no clear delineation of where a car is supposed to be, where a person can be. We had a mature olive tree craned in. In that space, you could have a party, or park four big cars, or put a long table and eat lunch under the tree. We like that feeling of openness and utility.
Mick and Tim worked tirelessly to produce the stunning staircase. Being a multi-level building, you’re on the stairs a lot so it’s important to get it right. A stair of that height can become very dark, so we’ve got the skylights at the top and the open treads to let light in. We wanted the stair to have the same value as the premium joinery. So, from our point of view, it’s a piece of joinery and not just a metal staircase. A combination of solid timber, timber joinery, and the same limestone as the external paving. It’s a triumph.
The overall finish is excellent. There’s nowhere to hide in this building and Bellevarde were up to the fine tolerances required and finished the project in an exemplar way. The simple elements are often the hardest to get right. Getting things to line up and be completely flush where you’ve got different materiality can be very difficult. Especially when things are pared back as they are here. The painting is fantastic, the stone masonry, the rendering, the precision of the meeting of all the materials—timber, plaster, stone reveals, all seamless. The level of technical ability that Mick and the team were able to achieve is outstanding.
At the end of the day, probably my biggest read on Bellevarde, is that their hearts, their heads and their hands were in it. Not only did they help us realise the vision, but they were also instrumental in making it happen in the way we thought was best for the project.
That great combination of idea and buildability and getting those two things to match so that the sum is greater than the parts. There’s even been recognition from within our office of the work Bellevarde have done. One of our other Founding Directors who is very focused on attention to detail was floored by the result. Upon entering the site, he walked up to Mick and said, ‘This is one of the best builds I’ve seen in a very, very long time.’
All building projects are like a marathon. Working with Bellevarde is like running with top level athletes. We would jump at the chance to deliver another project again with John Fielding and Bellevarde.